![]() ![]() Quite obviously though based on the difference in pixels, you can’t go from 4K UHD to 4K DCI without upscaling so it is certainly not an ideal workflow. You just have to keep that in mind when you are filming and to not put any important part of your scenes close to the edges (which you probably should not be doing anyways). If you shoot 4K DCI but want to output in 4K UHD, you can essentially chop off the 256 pixel difference by using a variety of methods, the easiest of which is the project scaling method I mentioned earlier. Two different standards for two different purposes, cinema and television. Professional Editing, Color, Effects and Audio Post DaVinci Resolve is the world’s only solution that combines editing, color correction, visual effects, motion graphics and audio post production all in one software tool Its elegant, modern interface is fast to learn and easy for new users, yet powerful for professionals. ![]() Then there is 4K UHD (3840 x 2160 = 1.77 (16:9) ratio) with is a SMPTE (Society of Motion Picture and Television Engineers) standard. ![]() ![]() If you need extra help, then please go to our community forum and connect with the incredible experience of the television industry. Here you will find the latest software updates, support notes, instruction manuals and all kinds of helpful information. Multi-user teamwork tools Stereoscopic 3D support 3D immersive audio 10bit H.264 support. In short there is 4K DCI (4096 x 2160 = 1.89 ratio) which is a standard created by the Digital Cinema Initiatives (DCI = basically a group of production studios that work together to create standards and specifications for digital cinema). Welcome to the Blackmagic Design support center. DaVinci Resolve Studio 16 video editing software also includes. While it may be confusing if you are unfamiliar with the terminology, this wiki article does a good job of explaining the differences and when/why the difference in terms were decided. ![]()
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